{"id":7682,"date":"2024-09-24T11:18:35","date_gmt":"2024-09-24T11:18:35","guid":{"rendered":"https:\/\/dialogmuseum.de\/en\/?page_id=7682"},"modified":"2025-01-24T10:46:31","modified_gmt":"2025-01-24T10:46:31","slug":"out-of-sight_invisible-frankfurt","status":"publish","type":"page","link":"https:\/\/dialogmuseum.de\/en\/out-of-sight_invisible-frankfurt\/","title":{"rendered":"Out of sight_Invisible Frankfurt"},"content":{"rendered":"\n<h1 class=\"wp-block-heading\">OUT OF SIGHT &#8211;<br>Invisible Frankfurt<\/h1>\n\n\n\n<div class=\"wp-block-columns alignwide is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<h2 class=\"wp-block-heading heading-size-3\">Compositions by <br>Matter of Facts, Untere Reklamationsbeh\u00f6rde, Marc Behrens, Lasse Marc Riek<br>Premiere: 25.\/26. October 2024.<\/h2>\n\n\n\n<figure class=\"wp-block-image size-full is-resized\"><img loading=\"lazy\" decoding=\"async\" width=\"842\" height=\"595\" src=\"https:\/\/dialogmuseum.de\/en\/wp-content\/uploads\/sites\/2\/2024\/09\/invisible-frankfurt-kleiner.jpg\" alt=\"The picture shows blue figures on a black background. The figures are blurred by a transparent dynamic wave structure. In the center is the logo \u201cOut of Sight - New Sound Art at the DIALOGMUSEUM\u201d in white lettering. The sound of the exhibition name is represented by white columns of different sizes.\" class=\"wp-image-7683\" style=\"width:548px;height:auto\" srcset=\"https:\/\/dialogmuseum.de\/en\/wp-content\/uploads\/sites\/2\/2024\/09\/invisible-frankfurt-kleiner.jpg 842w, https:\/\/dialogmuseum.de\/en\/wp-content\/uploads\/sites\/2\/2024\/09\/invisible-frankfurt-kleiner-300x212.jpg 300w, https:\/\/dialogmuseum.de\/en\/wp-content\/uploads\/sites\/2\/2024\/09\/invisible-frankfurt-kleiner-768x543.jpg 768w\" sizes=\"auto, (max-width: 842px) 100vw, 842px\" \/><\/figure>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<p><strong>Walk The Other Way<\/strong><br>Our hearing moves through a forest, through a city and encounters legal texts that formulate boundaries. What can be said with certainty? What is no longer valid the very next moment? What size and shape does the territory have? Walk The Other Way formulates the desire to move beyond what is visible and certain: a walk without Google Maps as an acoustic field experiment. Voices by: Elisa Reinecke, Edvin Duric, Benjamin Godzi and Anne Petrine Waag\u00f6.<\/p>\n\n\n\n<figure class=\"wp-block-video\"><video height=\"1920\" style=\"aspect-ratio: 1080 \/ 1920;\" width=\"1080\" controls src=\"https:\/\/dialogmuseum.de\/en\/wp-content\/uploads\/sites\/2\/2024\/09\/Matter-of-Facts_Untertitel-1.mov\"><\/video><figcaption class=\"wp-element-caption\">Matter of Facts Studio<\/figcaption><\/figure>\n\n\n\n<p><strong>Matter of Facts Studio<\/strong> is a production platform for experimental music theater and concert formats. It brings together professionals and professional dilettantes with their individual expertise in the fields of music, performance and objects. Founded in 2021 between Frankfurt am Main, Offenbach, Leipzig and Hamburg, M.O.F. Studio develops and presents collaborative works and extracts by Gregor Glogowski, Benjamin Hoesch, Friedrich Hartung, Lukas Nowok, Yuka Ohta and Diego Ramos Rodr\u00edguez and regularly connects with an extended network of artists to realize productions, events and workshops.<br>Website: <a href=\"http:\/\/www.matteroffacts.studio\/\">www.matteroffacts.studio<\/a><\/p>\n\n\n\n<p><strong>Distanzrauschen<\/strong><br>\u201cDistanzrauschen\u201d is an acoustic tour through Frankfurt&#8217;s Hauptwache, a place that is anything but barrier-free. From the everyday noise on site, we uncover islands of sound, scrutinize barely audible noises and snippets of conversation that raise more questions than answers. Complemented by the electromagnetic sounds of ticket machines, LED signs and power lines, the noise becomes the potential for new horizons of possibility and asks: How can we orient ourselves with and precisely through the noise of a place?<\/p>\n\n\n\n<figure class=\"wp-block-video\"><video height=\"1920\" style=\"aspect-ratio: 1080 \/ 1920;\" width=\"1080\" controls src=\"https:\/\/dialogmuseum.de\/en\/wp-content\/uploads\/sites\/2\/2024\/09\/Untere-Reklamationsbehorde_Untertitel.mov\"><\/video><figcaption class=\"wp-element-caption\">Untere Reklamationsbeh\u00f6rde<\/figcaption><\/figure>\n\n\n\n<p><strong>Untere Reklamationsbeh\u00f6rde<\/strong><br>Under the name Untere Reklamationsbeh\u00f6rde, Maria Huber (dramaturgy) and Julia Mih\u00e1ly (composition) have been collectively developing interdisciplinary music performances in public spaces with project-related guest artists and everyday experts since 2019. Her work is based on the idea of \u201cempirical music theater\u201d, a term that is constantly evolving. The focus of \u201cempirical music theater\u201d is on actual field research: spatial structures and social architectures are examined through a sonic magnifying glass &#8211; atmospheres, relationships between people and to the place itself, directions of movement, materialities and much more are explored directly on site and artistically integrated. Narratives inscribed in the place are exposed acoustically and empirically, in order to subsequently reinforce them in performative-musical actions, but also to alienate, interrupt or disturb them. The everyday perception of the place is ultimately to be undermined with an alternative acoustic perspective, while performative actions turn the everyday into the theatrical. Mih\u00e1ly and Huber want to compose and stage in exchange with and for specific places and people. They see their artistic practice as feminist and as discovering the political in the everyday.<br>Website: <a href=\"http:\/\/untere-reklamationsbehoerde.de\/ueber-uns\">http:\/\/untere-reklamationsbehoerde.de\/ueber-uns<\/a><\/p>\n\n\n\n<p><strong>Curiosity gap<\/strong><br>\u201cCuriosity Gap\u201d is the curiosity gap in clickbait. Gaps on platforms or kerbs are traps, no matter how well we can see. On the other hand, clicks are important signals at traffic lights for the blind. How do they sound elsewhere? We jump acoustically from traffic light to traffic light, from Frankfurt to Hong Kong and Sydney, guided by bats. They know about clicks and are familiar with traveling in the dark. Curious?<\/p>\n\n\n\n<figure class=\"wp-block-video\"><video height=\"1920\" style=\"aspect-ratio: 1080 \/ 1920;\" width=\"1080\" controls src=\"https:\/\/dialogmuseum.de\/en\/wp-content\/uploads\/sites\/2\/2024\/09\/marc-behrens-untertitel_komptrimiert_neu.mp4\"><\/video><figcaption class=\"wp-element-caption\">Marc Behrens<\/figcaption><\/figure>\n\n\n\n<p><strong>Marc Behrens<\/strong> (* 1970 in Darmstadt) experiments across genres and locations in and with the visual arts, music, theater and literature. He works internationally with electronic and concrete music, installation, performance, photography, text and video. Behrens has released over 40 music albums to date. In addition to field recording-based radio plays such as Bushdesertrainforest and Crowd for WDR 3, Behrens wrote the German-language radio play Progress for Deutschlandradio Kultur in 2013, in which the artist&#8217;s family history is set in relation to technical and political developments with the help of rituals. In 2021, he created the radio play Nachtsprache aus und mit Tr\u00e4umen for hr2-kultur. 2017-2023 Behrens participated in theater productions by choreographer \u00d6zlem Alk\u0131\u015f and the groups profikollektion and andpartnersincrime. Behrens is a member of the German Society for Electroacoustic Music (DEGEM). From 1989-1993 he ran his own music label Animal Art, since 2014 the label Availabel. From 2006 to 2010, Behrens was a lecturer at the Hochschule der Bildenden K\u00fcnste Saar in Saarbr\u00fccken (HBKSaar) and the Hochschule Darmstadt-Dieburg (h_da). 2018-2020 Marc Behrens was a mentor in the flausen+ young artists in residence program. From 2006 to 2009 he was deputy chairman of the Frankfurt Society for New Music. He studied at the HfG Offenbach 1993-2002.<br>Website:  <a href=\"http:\/\/marcbehrens.com\/\">http:\/\/marcbehrens.com\/<\/a><\/p>\n\n\n\n<p><strong>Transsonar<\/strong><br>\u201cTranssonar\u201d explores the invisible and inaudible of an underwater world. Above all, aquatic insects and other little-noticed life forms, whose sounds normally remain inaudible, become the focus of the sound work. \u201cTranssonar\u201d invites the audience to discover the hidden sounds of this invisible world and to become more aware of the acoustic diversity of our environment.<\/p>\n\n\n\n<figure class=\"wp-block-video\"><video height=\"1920\" style=\"aspect-ratio: 1080 \/ 1920;\" width=\"1080\" controls src=\"https:\/\/dialogmuseum.de\/en\/wp-content\/uploads\/sites\/2\/2024\/09\/lasse-marc-riek-untertitel-laut_komprimiert_neu.mp4\"><\/video><figcaption class=\"wp-element-caption\">Lasse Marc Riek<\/figcaption><\/figure>\n\n\n\n<p><strong>Lasse-Marc Riek <\/strong>(* 1975 in Germany) uses field recording as a means of capturing and exploring acoustic ecology, bioacoustics and soundscapes. He has been active internationally since 1997 and has staged exhibitions and concerts, published recordings and given lectures, talks and workshops. His work has been presented at various venues including galleries, art museums, churches and universities. These include the Museum f\u00fcr Kommunikation Frankfurt, the Schirn Kunsthalle, the Palmengarten Frankfurt, the ZKM Karlsruhe, the Norsk Teknisk Museum Oslo, the Museo Reina Sof\u00eda Madrid, the Art Center Beirut Lebanon, and the Skylight Gallery New York. Radiophonic compositions have been produced for Deutschlandradio Kultur, Hessischer Rundfunk, Westdeutscher Rundfunk, S\u00fcdwestrundfunk and \u00d6sterreichischer Rundfunk, among others. He has received scholarships and participated in artist residency programs in Europe, the Middle East and Africa. Prizes and awards include the Junge Akademie der Akademie der Wissenschaften Berlin (D), the Wildlife Sound Recording Society Competition (UK), the Prix Phonurgia Nova (F), the Grand Prix Nova (RO) and the Quartz Electronic Music Award (F). He is co-founder of the Gruenrekorder label, which has focused on soundscapes, field recordings and electroacoustic compositions since 2001 and collaborates internationally with artists and scientists in these fields.<br>Website: <a href=\"https:\/\/www.lasse-marc-riek.de\/\">https:\/\/www.lasse-marc-riek.de\/<\/a><\/p>\n<\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-group alignfull image-with-overlapping-element\"><div class=\"wp-block-group__inner-container is-layout-flow wp-block-group-is-layout-flow\">\n<div class=\"wp-block-columns alignfull is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\"><\/div>\n<\/div><\/div>\n","protected":false},"excerpt":{"rendered":"<p>OUT OF SIGHT &#8211;Invisible Frankfurt Compositions by Matter of Facts, Untere Reklamationsbeh\u00f6rde, Marc Behrens, Lasse Marc RiekPremiere: 25.\/26. October 2024. Walk The Other WayOur hearing moves through a forest, through a city and encounters legal texts that formulate boundaries. What can be said with certainty? What is no longer valid the very next moment? What [&hellip;]<\/p>\n","protected":false},"author":29,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-7682","page","type-page","status-publish","hentry"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.5 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Out of sight_Invisible Frankfurt - Dialogmuseum Frankfurt EN<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/dialogmuseum.de\/en\/out-of-sight_invisible-frankfurt\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Out of sight_Invisible Frankfurt - Dialogmuseum Frankfurt EN\" \/>\n<meta property=\"og:description\" content=\"OUT OF SIGHT &#8211;Invisible Frankfurt Compositions by Matter of Facts, Untere Reklamationsbeh\u00f6rde, Marc Behrens, Lasse Marc RiekPremiere: 25.\/26. 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